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1
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???

2
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GABRIELLE GOT even

3
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???? i keep trying

4
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?????

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M ANA... I'M GONNA OPEN UP A PIZZA PARLOR!

6
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BREE GOT A WARNING... HE'S A COLD-BLOODED KILLER.

7
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THE POLICE GOT A CLUE...

8
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THOSE BLUE MARKS-- I THINK IT'S A PHONE NUMBER.

9
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(Mike) You've reached Mike Delfino.

10
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THIS SHOULD NEVER HAVE HAPPENED!

11
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AND THE BATTLE FOR MIKE'S AFFECTION GOT UGLY.

12
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HOW DO YOU SLEEP AT NIGHT?

13
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SOON, WITH MIKE ON TOP OF ME.

14
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(Mary Alice) IT IS OFTEN SAID

15
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THAT CONFESSION IS GOOD FOR E SOUL.

16
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NO ONE KNEW THIS BETTER THAN A CERTAIN BLONDE

17
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WHO HAD BEEN CONFESSING HER SINS TO FATHER O'MALLEY

18
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ONCE A WEEK SINCE SHE WAS A CHILD.

19
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AS THE YEARS HAD PASSED,

20
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MUCH TO FATHER O'MALLEY'S DISMAY,

21
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A THEME BEGAN TO EMERGE...

22
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I SEDUCED THE CABLE GUY AGAIN.

23
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I'M HAVING AAFFAIR WITH A FOLKSINGING DUO.

24
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LAST WEEK,I LET RABBI LIPPMAN GET TO THIRD BASE.

25
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AND ONCE SHE HAD BEEN FORGIVEN,

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FATHER O'MALLEY WOULD TELL EDIE BRITT

27
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TO GO OUT INTO THE WORLD AND SIN NO MORE.

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UNFORTUNATELY FOR EDIE,

29
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TEMPTATION SEEMED TO BE...

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HELLO THERE.

31
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EVERYWHERE.

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EDIE,WHAT WERE WE LIKE TOGETHER...

33
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BEFORE THE ACCIDENT?

34
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WHAT DO YOU MEAN?

35
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YOU KNOW,WERE WE CLOSE?

36
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HONESTLY?

37
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WE LIVED ABOUT 50 FEET FROM EACH OTHER,

38
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AND YOU BARELY KNEW THAT I EXISTED.

39
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SERIOUSLY?

40
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MM-HMM. IT'S TRUE.

41
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I MEAN,YOU WEREN'T RUDE OR ANYTHING.

42
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WE'D WAVE OR EXCHANGE "HELLOS" AS WE WENT TO GET OUR MAIL,

43
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BUT YOU NEVER REALLY LOOKED AT ME.

44
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NOT REALLY. I... I WAS JUST ANOTHER NEIGHBOR TO YOU.

45
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BUT IF WE WEREN'T FRIENDS,

46
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WHY ARE YOU HERE EVERY DAY HELPING ME?

47
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BECAUSE FROM THE FIRST MOMENT I LAID EYES ON YOU...

48
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I SORT OF FELL IN LOVE WITH YOU.

49
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OH.

50
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YEAH,AND I'M NOT TELLING YOU THIS

51
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BECAUSE I EXPECT ANYTHING,

52
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SO YOU CAN JUST RELAX,OKAY?

53
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OKAY.

54
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BUT WHEN YOU DO COME BACK HOME,

55
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AND WE DO RUN INTO EACH OTHER WHEN WE'RE GETTING OUR MAIL,

56
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I'D REALLY APPRECIATE IT IF YOU'D...

57
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JUST LOOK AT ME.

58
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THAT'S ALL.

59
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I'M LOOKING AT YOU NOW.

60
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YES, IT'S OFTEN SAID CONFESSION

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IS GOOD FOR THE SOUL.

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MIKE DELFINO AND I MADE OUT TODAY,

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AND IT WAS GREAT!

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BUT SOME CONFESSIONS ARE JUST BRAGGING IN DISGUISE.

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www.1000fr.com Present

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Capture:Fadeout Sync:FRM@ºÚÄ»&¾ÆÄÒ·¹´ü

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THERE WAS NOTHING BREE HODGE HATED MORE

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THAN AN UNEXPECTED...

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KNOCK AT THE DOOR.

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SHE WAS ALWAYS CERTAIN IT WOULD LEAD

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TO A DAGREEABLE SURPRISE,

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WHETHER IT BE IN THE FORM OF A COSMETICS SALESWOMAN,

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RELIGIOUS ZEALOTS

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OR EXTENDED FAMILY.

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BUT ON THIS DAY, THE SURPRISE AWAITING BREE

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WAS FAR MORE DISAGREEABLE THAN SHE EVER COULD HAVE IMAGINED.

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HELLO,BREE.

78
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CAROLYN.

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THIS ISN'T A VERY GOOD TIME. I'M BAKING.

80
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BREE? UH,HI. WE HAVEN'T MET.

81
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I'M HARVEY BIGSBY,

82
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D I BROUGHT MY WIFE HERE TO APOLOGIZE.

83
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IT'S A SOUFFL? AND TIMING IS EVERYTHING.

84
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OH,PLEASE,PLEASE,UM...

85
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SHE'S BEEN UNDER A GREAT DEAL OF STRESS

86
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SINCE ALMA'S DISAPPEARANCE,

87
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AND--AND SHE REALLY HASN'T BEEN HERSELF.

88
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MUCH OF THAT WAS DUE TO THE MEXICAN PAINKILLERS

89
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THAT SHE WAS PURCHASING ONLINE, BUT I PUT A STOP TO THAT.

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(sighs)

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WELL,ORSON TELLS ME THAT THE TWO OF YOU WERE VERY CLOSE,

92
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AND OUT OF RESPECT FOR THAT FRIENDSHIP,

93
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I'M ALL EARS.

94
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AFTER THINKING IT OVER,

95
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I REALIZED THAT MAYBE I WAS OUT OF LINE--

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AHEM. I WAS DEFINITELY OUT OF LINE

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WITH THE TERRIBLE ACCUSATIONS THAT I MADE.

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I'M DEEPLY SORRY FOR THE PAIN THAT I CAUSED.

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I HOPE THAT YOU CAN FIND IT IN YOUR HEART TO FORGIVE ME.

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WELL,I CAN APPRECIATE

101
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HOW DIFFICULT THAT MUST HAVE BEEN FOR YOU.

102
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APOLOGY ACCEPTED.

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(sighs) I'M SO RELIEVED.

104
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AS AM I.

105
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WELL,YOU DON'T KNOW HOW RUSTY MY GOLF GAME'S GOTTEN

106
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WITHOUT THIS ONE KEEPING ME ON MY TOES. WELL,PERHAPS WE CAN

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ALL GET TOGETHER FOR DINNER AT THE CLUB SOMETIME.

108
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THAT SOUNDS LOVELY. GREAT.

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DARLING,YOU ARE AMAZING, YOU KNOW THAT?

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TO RISE ABOVE ALL THAT UNPLEASANTNESS

111
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WITH SUCH DIGNITY.

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WELL,THANK YOU,DARLING.

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BUT IF YOU THINK FOR ONE SECOND THAT I'M GONNA BREAK BREAD

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WITH THAT MALICIOUS, PILL-POPPING SHREW,

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YOU'RE OUT OF YOUR MIND.

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(mouthing words)

117
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HEY,SUSAN! WHATCHA DOING?

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I JUST DROPPED MY TROWEL. THANKS.

119
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ALL RIGHTY THEN, YOU HAVE A NICE DAY.

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(sighs)

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BYE-BYE. (laughs)

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SUSAN?

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IAN! WHAT A SURPRISE.

124
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WERE YOU,UM, WERE YOU HIDING FROM ME?

125
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UH,A LITTLE.

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I... JUST,THE LAST TIME WE SAW EACH OTHER,

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IT WAS SO AWKWARD AND COMPLICATED.

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WATER UNDER THE BRIDGE.

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AND BESIDES, THIS IS STRICTLY BUSINESS.

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I'M THROWING A PARTY FOR AN EDITOR FRIEND

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IN FROM LONDON,AND I THOUGHT YOU TWO SHOULD MEET.

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YOU COULD BRING A DATE IF YOU WANT.

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SPEAKING OF WHICH,UH, HOW ARE THINGS WITH MIKE?

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OH,UH, THEY'RE MOVING ALONG.

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IT'S A PROCESS.

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AND THE,UH,BLONDE WOMAN WHO'S BEEN VISITING HIM EVERY DAY--

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IS SHE PART OF THE PROCESS?

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UH,EDIE? OH,SHE'S... JUST A NEIGHBOR.

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SHE VISITS MIKE AFTER HER HEPATITIS C TREATMENTS.

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OH. WELL,I-I DO HOPE YOU CAN COME TO THE PARTY...

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SO YOU CAN MEET MY EDITOR FRIEND.

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I JUST--I JUST DON'T THINK THAT'S A GOOD IDEA.

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RIGHT.

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WELL,AT LEAST I,UH, I GOT TO SEE YOU.

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YOU HAVE...

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THIS IS LUDICROUS-- THE BIEDERMEIER ARMOIRE.

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IT'S MY UNDERSTANDING

148
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THAT YOUR CLIENT DOESN'T EVEN LIKE ANTIQUES.

149
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TOTALLY IMMATERIAL. IT'S A VALUABLE ASSET.

150
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FINE. LET'S DISCUSS THE KOSTA BODA VASE.

151
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NOPE, IT'S A PREMARITAL ACQUISITION.

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WE CAN VERIFY THAT WITH RECEIPTS. (slurping)

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AHH.

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IT WAS A GIFT TO MR. SOLIS.

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MAYBE YOU WERE SICK THAT DAY AT LAW SCHOOL,MYRON

156
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BUT IT'S CALLED COMMUNITY PROPERTY. DON'T PATRONIZE ME,KENNY.

157
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WE'RE PREPARED TO GO TO THE MATN THIS ONE. OH,ENOUGH.

158
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JUST GIVE HER WHAT SHE WANTS. LOOK,I'M SICK OF FIGHTING.

159
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IT'S JUST STUFF. UH,I'D LIKE A MOMENT ALONE WITH MY CLIENT.

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THIS HAS BEEN GOING ON FOR MONTHS. I'M DONE.

161
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DRAW UP THE PAPERS. I'LL SIGN WHATEVER.

162
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YOU'RE GIVING ME EVERYTHING I WANT? JUST LIKE THAT?

163
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JUST LIKE THAT.

164
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(Myron) WE EXPECT TO SEE THE PAPERWORK

165
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BY THE END OF BUSINESS.

166
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HOW SWEET IS THAT?! (chuckles)

167
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WE NAILED THEIR ASSES.

168
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MRS. SOLIS, THEY COMPLELY FOLDED.

169
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THAT'S THE THING-- CARLOS DOESN'T FOLD.

170
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THAT SON OF A BITCH IS UP TO SOMETHING.

171
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BEFORE YOU COME IN, COVER YOUR EYES.

172
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TOM,I-- DO IT!

173
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OKAY,NOW... WHEN I SAY "OPEN,"

174
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DON'T LOOK WITH YOUR EYES. LOOK WITH YOUR IMAGINATION.

175
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OKAY.

176
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OKAY. OPEN.

177
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OH,DEAR GOD.

178
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DAMN IT,YOU LOOKED WITH YOUR EYES!

179
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IT'S A DUMP! WHAT ARE YOU THINKING?

180
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OH,I'LL GRANT YOU IT'S A FIXER-UPPER.

181
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IT'S A BURNER-DOWNER.

182
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(sighs) COME ON,HONEY, GO WITH ME.

183
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WE CAN PUT IN BOOTHS WITH CHECKERED TABLECLOTHS,

184
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A JUKEBOX, A BIG-SCREEN TO WATCH SPORTS ON.

185
00:10:04,500 --> 00:10:07,600
HOW CAN YOU NOT SEE THE POTENTIAL IN THIS PLACE?

186
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WELL,I JUST DON'T.

187
00:10:09,600 --> 00:10:12,700
TOM,YOU KNOW HOW I FEEL ABOUT THIS PIZZA THING.

188
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WELL,HOPEFULLY, IT'LL GROW ON YOU.

189
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DON'T... TELL ME YOU DIDN'T SIGN A LEASE.

190
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THERE'S GONNA BE A DARTBOARD!

191
00:10:25,100 --> 00:10:27,300
TOM! NO.

192
00:10:27,300 --> 00:10:29,800
THERE WERE MULTIPLE OFFERS. I HAD TO MOVE FAST.

193
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YOU LEASED A BUILDING WITHOUT TELLING ME?

194
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WELL,MAYBE I DIDN'T TELL YOU BECAUSE I KNEW

195
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YOU'D TRY AND TALK ME OUT OF THE BEST OPPORTUNITY IN MY LIFE.

196
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(squeaking)

197
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OKAY. OKAY,HERE'S WHAT WE'RE GOING TO DO.

198
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YOU SAID THERE WERE MULTIPLE OFFERS,SO WE CAN SUBLEASE.

199
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NOW LET'S GET THE HELL OUT OF HERE.

200
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YOU SAID YOU'D SUPPORT MY DREAM.

201
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MY MISTAKE.

202
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I ASSUMED YOU'D HAVE A DREAM WORTH SUPPORTING.

203
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I'M GONNA STAY HERE TONIGHT.

204
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FINE.

205
00:11:15,200 --> 00:11:17,100
(Bree) TWO LEMONADES FOR THE VICTORS.

206
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YOU KEEP PLAYING LIKE THIS,BREE,

207
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AND WE ARE A CINCH FOR THE FINALS. HELLO,TISH.

208
00:11:21,800 --> 00:11:23,500
HELLO,REBECCA.

209
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DID YOU SEE THAT?

210
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SHE JUST DELIBERATELY SNUBBED ME.

211
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MAYBE SHE DIDN'TOTICE YOU.

212
00:11:29,100 --> 00:11:31,100
REBECCA, I JUST SPOKE TO HER.

213
00:11:31,100 --> 00:11:33,200
AND CALL ME PARANOID, BUT AMY GRISWOLD

214
00:11:33,300 --> 00:11:36,300
DID THE SAME THING TO ME ON THE GOLF COURSE LAST WEEK.

215
00:11:36,300 --> 00:11:38,000
WHAT IS GOING ON?

216
00:11:38,100 --> 00:11:39,700
YOU REALLY DON'T KNOW?

217
00:11:39,700 --> 00:11:41,600
NO! I HAVE NO IDEA. WHAT?

218
00:11:41,600 --> 00:11:44,200
TISH IS VERY GOOD FRIENDS WITH CAROLYN BIGSBY.

219
00:11:45,400 --> 00:11:47,100
CAROLYN KNOWS TISH?

220
00:11:47,100 --> 00:11:48,600
SHE KNOWS EVERYONE.

221
00:11:48,600 --> 00:11:51,800
ANYWAY,TISH WON'T TALK TO YOU BECAUSE YOU MARRIED ORSON,

222
00:11:51,800 --> 00:11:54,700
EVEN AFTER CAROLYN TOLD YOU THAT HE KILLED HIS WIFE.

223
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THAT IS RIDICULOUS. ORSON DID NOT KILL ALMA.

224
00:11:57,600 --> 00:11:58,800
AND BESIDES,

225
00:11:58,900 --> 00:12:01,400
CAROLYN JUST APOLOGIZED TO ME FOR THAT YESTERDAY.

226
00:12:01,400 --> 00:12:03,600
WELL,MAYBE THAT HASN'T GOTTEN BACK TO TISH.

227
00:12:03,700 --> 00:12:06,600
OH,YOU DON'T BELIEVE ANY OF THAT NONSENSE,DO YOU?

228
00:12:08,400 --> 00:12:10,600
DO YOU?

229
00:12:10,700 --> 00:12:13,100
BREE,YOU'RE THE BEST DOUBLES PARTNER I'VE EVER HAD.

230
00:12:13,200 --> 00:12:16,100
CAN WE TALK ABOUT THIS AFTER THE TOURNAMENT?

231
00:12:25,200 --> 00:12:28,200
HELLO. I'D LIKE TO MAKE A RESERVATION FOR THIS EVENING

232
00:12:28,200 --> 00:12:30,700
UNDER THE NAMES HODGE AND BIGSBY,

233
00:12:30,700 --> 00:12:32,700
AND,UM, WE'LL BE NEEDING A TABLE

234
00:12:32,700 --> 00:12:35,600
IN THE CENTER OF THE ROOM.

235
00:12:35,700 --> 00:12:37,600
HOW LONG WILL DADDY BE GONE?

236
00:12:37,700 --> 00:12:39,600
WELL,THAT SORT OF DEPENDS ON DADDY.

237
00:12:39,700 --> 00:12:41,800
ARE YOU TWO MAD AT EACH OTHER?

238
00:12:41,800 --> 00:12:44,700
YEAH. A LITTLE. BUT THAT'S OKAY. THAT'S OKAY.

239
00:12:44,700 --> 00:12:46,900
WE STILL LOVE EACH OTHER VERY MUCH.

240
00:12:46,900 --> 00:12:48,100
BUT JUST LIKE KIDS,

241
00:12:48,100 --> 00:12:51,200
SOMETIMES GROWN-UPS THROW TANTRUMS AND NEED A TIME-OUT.

242
00:12:51,300 --> 00:12:53,500
WHY CAN'T HE TAKE A TIME-OUT IN HIS ROOM?

243
00:12:53,500 --> 00:12:56,500
'CAUSE HE DECIDED TO TAKE IT IN HIS PIZZA PLACE.

244
00:12:56,500 --> 00:12:59,300
?????

245
00:12:59,300 --> 00:13:01,200
NOT THIS PIZZA PLACE. IT'S A RAT HOLE.

246
00:13:01,200 --> 00:13:04,000
BUT ONCE YOUR DAD COMES TO HIS SENSES

247
00:13:04,000 --> 00:13:06,500
AND STOPS BEING PETULANT,

248
00:13:06,600 --> 00:13:07,600
HE'LL COME HOME.

249
00:13:07,700 --> 00:13:08,700
WHAT'S "PETULANT"?

250
00:13:08,700 --> 00:13:11,600
IT MEANS CHILDISH,STUBBORN,

251
00:13:11,700 --> 00:13:15,400
CARELESS WITH MY MONEY AND YOUR FUTURES.

252
00:13:15,400 --> 00:13:16,600
HUH?

253
00:13:16,600 --> 00:13:18,100
IT'S A GROWN-UP WORD,

254
00:13:18,100 --> 00:13:21,100
AND WHEN DADDY COMES HOME, YOU'LL LEARN A NEW ONE--

255
00:13:23,300 --> 00:13:24,500
GROVEL.

256
00:13:27,000 --> 00:13:28,600
THEY GOT IN A REALLY BIG FIGHT.

257
00:13:28,600 --> 00:13:30,600
DADDY'S SLEEPING AT THE RESTAURANT.

258
00:13:30,600 --> 00:13:33,300
NO,NO,IT'S GOOD THAT YOU TOLD ME,SWEET PEA.

259
00:13:33,300 --> 00:13:36,400
YOU KEEP THOSE LITTLE EARS OPEN,OKAY?

260
00:13:36,400 --> 00:13:37,500
Okay. Bye,Mom.

261
00:13:37,500 --> 00:13:39,300
BYE.

262
00:13:41,600 --> 00:13:44,500
OH,HEY,THAT'S FOR ME. I'LL TAKE THAT.

263
00:13:44,600 --> 00:13:46,100
OKAY.

264
00:13:57,600 --> 00:13:59,400
WELL,I'M BEAT. I'M GONNA TAKE A NAP.

265
00:13:59,400 --> 00:14:01,000
UH,HOLD IT.

266
00:14:01,100 --> 00:14:02,600
YOU'RE A SWEATY MESS.

267
00:14:02,700 --> 00:14:04,300
SO? I WAS WORKING OUT.

268
00:14:04,300 --> 00:14:06,300
SO YOU'RE NOT LAYING ON ANYTHING IN THIS HOUSE

269
00:14:06,300 --> 00:14:07,500
UNTIL YOU TAKE A SHOWER.

270
00:14:08,300 --> 00:14:11,200
FAIR ENOUGH. IT'S ALL YOURS NOW,RIGHT?

271
00:14:35,100 --> 00:14:36,100
I DON'T KNOW,MYRON.

272
00:14:36,100 --> 00:14:37,700
IT'S A BUNCH OF LEGAL MUMBO JUMBO.

273
00:14:37,800 --> 00:14:39,900
JUST READ IT AND CALL ME BACK.

274
00:14:42,900 --> 00:14:43,900
CRAP!

275
00:14:43,900 --> 00:14:45,500
(beep)

276
00:14:55,800 --> 00:14:57,500
(grunts)

277
00:14:57,500 --> 00:14:58,900
(sighs)

278
00:15:04,100 --> 00:15:04,800
WHAT?

279
00:15:04,800 --> 00:15:07,900
UH... WHY DID YOU PUT THOSE SHORTS BACK ON?

280
00:15:09,200 --> 00:15:10,100
WHY DO YOU CARE?

281
00:15:10,200 --> 00:15:12,400
UH,IT'S JUST THAT THEY'RE FILTHY,

282
00:15:12,400 --> 00:15:14,300
ANI WAS GONNA WASH 'EM FOR YOU.

283
00:15:15,000 --> 00:15:16,600
YOU WANNA WASH MY SHORTS?

284
00:15:17,500 --> 00:15:19,500
I DON'T WANT TO,BUT IF YOU WEAR THEM ONE MORE TIME,

285
00:15:19,600 --> 00:15:21,600
THEY'RE GONNA ASK ME THEMSELVES.

286
00:15:27,400 --> 00:15:29,100
(chuckles)

287
00:15:30,000 --> 00:15:31,000
WAIT A MINUTE.

288
00:15:32,000 --> 00:15:33,100
I FORGOT SOMETHING IN THE POCKET.

289
00:15:40,200 --> 00:15:41,700
NO BLEACH.

290
00:15:41,700 --> 00:15:43,000
GOT IT.

291
00:15:45,000 --> 00:15:46,700
(Gabrielle) SO IT'S A JOB CONTRACT?

292
00:15:46,700 --> 00:15:48,800
(Myron) Yeah Welch and Simon are offering him

293
00:15:48,900 --> 00:15:50,800
$2 million over 3 years, plus stock options.

294
00:15:50,900 --> 00:15:53,600
WELL,THAT'S FANTASTIC! I GET HALF,RIGHT?

295
00:15:53,600 --> 00:15:55,000
Well,no.

296
00:15:55,000 --> 00:15:57,500
IF YOU'RE LEGALLY DIVORCED WHEN HE SIGNS THE CONTRACT,

297
00:15:57,500 --> 00:15:59,000
THEN YOU DON'T SEE A DIME.

298
00:15:59,000 --> 00:16:01,600
THAT CONNIVING, UNDERHANDED SNAKE!

299
00:16:01,600 --> 00:16:03,600
THANK GOD I BROKE INTO HIS DESK.

300
00:16:03,600 --> 00:16:05,600
AT LEAST NOW WE KNOW WHY

301
00:16:05,600 --> 00:16:07,700
HE WAS SO QUICK TO FOLD ON YOUR SETTLEMENT.

302
00:16:07,800 --> 00:16:08,900
ALL RIGHT, WELL,LET'S JUST SAY

303
00:16:08,900 --> 00:16:11,100
SOMETHING HAPPENED TO POSTPONE THE DIVORCE.

304
00:16:11,100 --> 00:16:15,300
I WOULD STILL GET MY SHARE OF THAT $2 MILLION,RIGHT? Well,in theory,but...

305
00:16:15,400 --> 00:16:17,500
HOW WOULD YOU MANAGE THAT?

306
00:16:17,600 --> 00:16:19,300
I KNOW HOW CARLOS THINKS--

307
00:16:19,400 --> 00:16:22,100
MORE IMPORTANTLY, WHAT HE THINKS WITH.

308
00:16:22,100 --> 00:16:24,100
(elevator bell dings)

309
00:16:33,200 --> 00:16:34,200
WAS THAT SUSAN MAYER?

310
00:16:34,200 --> 00:16:35,200
YEAH. WHY?

311
00:16:35,300 --> 00:16:37,700
MR. DELFINO ASKED NOT TO BE DISTURBED.

312
00:16:38,500 --> 00:16:41,200
MIKE? IT'S ME.

313
00:16:41,200 --> 00:16:42,900
ARE YOU DECENT?

314
00:16:59,600 --> 00:17:00,900
HEY,SUSAN.

315
00:17:00,900 --> 00:17:02,900
HEY,YOUOU.

316
00:17:08,200 --> 00:17:10,500
WHATCHA DOING? I SUCKERED McCLUSKEY

317
00:17:10,500 --> 00:17:13,700
INTO TAKING THE KIDS FOR A WHILE SO I COULD KICK BACK

318
00:17:13,700 --> 00:17:17,400
AND CATCH UP WITH MY OLD FRIEND... MARGARITA.

319
00:17:17,400 --> 00:17:18,700
(chuckles)

320
00:17:18,700 --> 00:17:21,700
YOU CARE TO JOIN US? BELIEVE ME, I WOULD LOVE TO,

321
00:17:21,700 --> 00:17:25,000
BUT,UM,I GOTTA--I GOTTA GET DINNER STARTED FOR JULIE.

322
00:17:25,100 --> 00:17:26,600
OKAY.

323
00:17:29,700 --> 00:17:33,200
OH,YOU KNOW,WHAT THE HELL? SHE'S 16.

324
00:17:33,200 --> 00:17:36,200
IF SHE HASN'T FIGURED OUT HOW TO FEED HERSELF BY NOW,

325
00:17:36,200 --> 00:17:37,800
I'VE FAILED.

326
00:17:40,900 --> 00:17:44,900
AHH. THAT'S NICE.

327
00:17:44,900 --> 00:17:46,600
SO WHERE WERE WE?

328
00:17:46,600 --> 00:17:48,500
YOU WERE TRYING TO FIGURE OUT

329
00:17:48,500 --> 00:17:50,500
HOW TO KILL EDIE WITHOUT DOING TIME.

330
00:17:50,500 --> 00:17:53,800
OH,RIGHT. OH,I WISH PAUL YOUNG WAS STILL AROUND.

331
00:17:53,800 --> 00:17:56,200
HE'D KNOW WHAT TO DO.

332
00:17:57,700 --> 00:18:00,100
FINE,GABY! DON'T SAY HI!

333
00:18:00,200 --> 00:18:01,700
(pants)

334
00:18:01,700 --> 00:18:04,900
HEY! COCKTAILS? NOBODY CALLED ME?

335
00:18:04,900 --> 00:18:06,200
IT WAS SPUR-OF-THE-MOMENT.

336
00:18:06,200 --> 00:18:08,700
WE'RE NUMBING THE PAIN OF OUR MISERAB LIVES.

337
00:18:08,800 --> 00:18:11,400
OH. WELL,I WAS TRYING TO DO THAT WITH EXERCISE,

338
00:18:11,400 --> 00:18:14,300
BUT WHY RISK A HEART ATTACK?

339
00:18:14,300 --> 00:18:15,300
MAKE MINE A DOUBLE!

340
00:18:17,200 --> 00:18:19,300
(Mike) I DON'T RECOGNIZE HER.

341
00:18:20,200 --> 00:18:22,600
WHO IS SHE?

342
00:18:22,600 --> 00:18:24,600
THAT'S WHAT WE'RE TRYING TO FIGURE OUT.

343
00:18:24,600 --> 00:18:26,600
YOUR PHONE NUMBER WAS WRITTEN ON HER HAND.

344
00:18:27,500 --> 00:18:30,100
I'M SORRY. I CAN'T HELP YOU.

345
00:18:30,100 --> 00:18:32,300
HE'S HAD A BIT OF MEMORY LOSS.

346
00:18:32,600 --> 00:18:36,100
AFTER 2004, THINGS ARE... FUZZY.

347
00:18:36,100 --> 00:18:38,100
NO MEMORY,HUH?

348
00:18:38,100 --> 00:18:40,400
THAT'S CONVENIENT.

349
00:18:41,100 --> 00:18:43,800
WELL,THANK YOU FOR YOUR TIME, MR. DELFINO.

350
00:18:47,300 --> 00:18:49,500
YOU KILLED A COP ONCE, DIDN'T YOU?

351
00:18:51,100 --> 00:18:53,000
THAT WAS SELF-DEFENSE.

352
00:18:53,100 --> 00:18:56,300
HOPE IT WASN'T JUST BEGINNER'S LUCK.

353
00:18:57,300 --> 00:19:00,600
YOU WANNA CHARGE ME WITH SOMETHING,GO AHEAD.

354
00:19:00,600 --> 00:19:03,200
OTHERWISE, GET THE HELL OUT OF MY ROOM.

355
00:19:04,800 --> 00:19:08,000
WERE YOU ALWAYS THIS ANGRY, MR. DEINO,

356
00:19:08,100 --> 00:19:09,900
OR CAN'T YOU REMEMBER?

357
00:19:24,100 --> 00:19:27,600
SO DO YOU SELL BY THE SLICE, OR DO I GOTTA BUY A WHOLE PIE?

358
00:19:28,600 --> 00:19:30,000
WHAT ARE YOU DOING HERE?

359
00:19:30,100 --> 00:19:31,700
I KNEW HOW HARD YOU WERE WORKING,

360
00:19:31,700 --> 00:19:34,600
SO I FIGURED I'D BRINYOU A LITTLE SOMETHING TO EAT...

361
00:19:37,400 --> 00:19:38,500
AND DRINK.

362
00:19:41,400 --> 00:19:43,700
YOU KNOW, I CAN'T PRONOUNCE THIS WINE,

363
00:19:43,800 --> 00:19:47,300
WHICH MEANS IT'S EITHER REALLY EXPENSIVE

364
00:19:47,400 --> 00:19:49,800
OR I HAVE HAD TOO MUCH.

365
00:19:49,800 --> 00:19:53,800
I CAN'T BELIEVE THAT LYNETTE DOESN'T JUST LOVE THIS PLACE.

366
00:19:53,800 --> 00:19:55,300
AND IF YOU ASK ME,

367
00:19:56,400 --> 00:19:58,500
SHE'S JUST A NEGATIVE NELLIE.

368
00:19:58,500 --> 00:20:00,000
SHE'S JUST BEING REALISTIC.

369
00:20:00,000 --> 00:20:03,000
I MEAN,THE RESTAURANT BUSINESS IS BRUTAL. IT'S--TOM.

370
00:20:03,000 --> 00:20:06,100
LISTEN TO ME,OKAY,'CAUSE I'M A VERY INTUITIVE PERSON,

371
00:20:07,000 --> 00:20:11,600
AND YOU HAVE A REAL AURA OF SUCCESS ABOUT YOU.

372
00:20:14,300 --> 00:20:15,700
COME ON.

373
00:20:15,800 --> 00:20:17,100
I'M SERIOUS.

374
00:20:18,500 --> 00:20:23,000
I BELIEVE IN YOU, TOM SCAVO.

375
00:20:23,000 --> 00:20:23,900
THANK YOU.

376
00:20:26,700 --> 00:20:30,000
OKAY,MNH-MNH. WAIT,WAIT,WHAT, WHAT--WHAT JUST HAPPENED?

377
00:20:30,000 --> 00:20:32,300
WE KISSED. NO,YOU KISSED ME.

378
00:20:32,400 --> 00:20:33,500
NO,NO,NO, YOU WANTED ME TO.

379
00:20:33,500 --> 00:20:35,000
NO,NO, NO,NO,NO,I DIDN'T.

380
00:20:36,900 --> 00:20:38,500
REALLY?

381
00:20:38,600 --> 00:20:41,500
'CAUSE THIS IS YOU. "MY WIFE DOESN'T GET ME.

382
00:20:41,500 --> 00:20:43,300
"HEY,LET'S HAVE SOME MORE WINE...

383
00:20:43,300 --> 00:20:46,400
ALONE, IN A DESERTED BUILDING." I WAS JUST LOOKING TO VENT.

384
00:20:46,400 --> 00:20:48,100
I WASN'T LOOKING FOR ANYTHING MORE.

385
00:20:48,100 --> 00:20:50,500
OKAY,BUT WHEN OPPORTUNITY KNOCKS--

386
00:20:50,500 --> 00:20:51,800
NORA,PLEASE!

387
00:20:51,800 --> 00:20:53,000
(wine spills)

388
00:20:53,000 --> 00:20:54,600
I LOVE MY WIFE!

389
00:20:56,200 --> 00:20:57,200
REALLY?

390
00:20:58,400 --> 00:21:01,900
YOU MEAN,THE ONE WHO THINKS THAT YOU'RE A LOSER?

391
00:21:01,900 --> 00:21:05,200
NO,THE ONE THAT LOVES ME ENOUGH TO KEEP ME FROM SCREWING UP,

392
00:21:06,200 --> 00:21:09,400
AND I THINK IT'S ABOUT TIME I GOT BACK HOME TO HER.

393
00:21:09,400 --> 00:21:13,700
YOU LED ME ON. YOU SHOULDN'T HAVE DONE THAT.

394
00:21:20,600 --> 00:21:22,600
(sighs)

395
00:21:25,500 --> 00:21:28,900
(Gabrielle) I'M JUST GONNA SAY IT. TEQUILA MAKES ME HAPPY.

396
00:21:30,400 --> 00:21:32,000
YEAH,WE'RE DRINKING ON THE PORCH.

397
00:21:32,000 --> 00:21:33,600
YOU GOT A PROBLEM WITH THAT?

398
00:21:34,600 --> 00:21:37,100
OH,I KNOW THEM. THEY LIVE ON CYPRESS.

399
00:21:37,100 --> 00:21:40,700
THEY JUST CELEBRATED THEIR 53rd WEDDING ANNIVERSARY.

400
00:21:40,700 --> 00:21:41,800
SHOW-OFFS.

401
00:21:41,800 --> 00:21:43,100
DON'T WORRY. IT WON'T LAST.

402
00:21:43,100 --> 00:21:45,500
YOU'RE JUST FOOLING YOURSELVES!

403
00:21:45,500 --> 00:21:47,200
HEY,I KNOW THEM.

404
00:21:47,200 --> 00:21:49,500
OH,53 YEARS.

405
00:21:49,500 --> 00:21:51,000
WHAT DO YOU THINK THEIR SECRET IS?

406
00:21:51,000 --> 00:21:52,700
I'LL TAKE A WILD GUESS.

407
00:21:52,700 --> 00:21:54,900
THE MAN NEVER OPENED A PIZZA PLACE.

408
00:21:54,900 --> 00:21:58,100
OH,I JUST THOUGHT OF SOMETHING.

409
00:21:58,100 --> 00:22:01,900
I'M NEVER GONNA LEBRATE A 53rd WEDDING ANNIVERSARY.

410
00:22:02,000 --> 00:22:05,200
I'D HAVE TO LIVE INTO MY 90s.

411
00:22:05,200 --> 00:22:08,900
OH,MY GOD. I'M GONNA DIE.

412
00:22:08,900 --> 00:22:10,000
BITE ON THIS.

413
00:22:10,000 --> 00:22:10,700
AH. (whines)

414
00:22:12,600 --> 00:22:14,000
CAN I TELL YOU GUYS SOMETHING--

415
00:22:14,000 --> 00:22:16,100
SOMETHING I CAN ONLY TELL YOU GUYS?

416
00:22:16,100 --> 00:22:19,000
OH,GOD,HERE SHE GOES AGAIN. WHAT GRADE IS HE IN?

417
00:22:19,800 --> 00:22:22,900
NOT WHAT I WAS GONNA SAY. WHAT I WAS GONNA SAY

418
00:22:22,900 --> 00:22:26,200
IS WITH ALL HIS CONNIVING AND TRICKERY

419
00:22:26,200 --> 00:22:27,700
I STILL LOVE CARLOS.

420
00:22:27,700 --> 00:22:29,500
YEAH,HE'S HOT.

421
00:22:31,800 --> 00:22:34,800
ANYWAY,WHAT IF I NEVER FIND THAT PASSION

422
00:22:34,800 --> 00:22:36,400
WITH ANYBODY ELSE?

423
00:22:36,400 --> 00:22:40,300
WELL,MAYBE YOU SHOULD TRY TO PATCH THINGS UP WITH HIM.

424
00:22:41,200 --> 00:22:44,500
NAH,I ALREADY PAID A LAWYER. I'M TAKING HIM DOWN.

425
00:22:45,100 --> 00:22:46,600
I BROUGHT THIS ON MYSELF.

426
00:22:46,600 --> 00:22:48,700
I TELL TOM,"I WANT YOU TO BE YOUR OWN MAN."

427
00:22:48,700 --> 00:22:50,900
BUT THE TRUTH IS,I DON'T.

428
00:22:51,300 --> 00:22:56,400
I WANT HIM TO HAVE WHAT HE WANTS IF IT'S WHAT I WANT.

429
00:22:58,300 --> 00:23:00,800
I'M A BITCH WITH A CAPITAL "C."

430
00:23:00,900 --> 00:23:02,400
NO! NO,YOU'RE NOT!

431
00:23:02,400 --> 00:23:06,100
YOU'RE A GREAT WIFE AND A GREAT MOTHER.

432
00:23:08,300 --> 00:23:11,700
ALTHOUGH... DON'T YOU HAVE CHILDREN?

433
00:23:11,700 --> 00:23:14,000
I HAD PASSION WITH MIKE...

434
00:23:15,300 --> 00:23:16,600
AND DRAMA.

435
00:23:16,600 --> 00:23:19,000
LOTS OF DRAMA.

436
00:23:19,000 --> 00:23:21,700
LOVE ISN'T SUPPOSED TO BE THAT HARD.

437
00:23:21,800 --> 00:23:25,400
OH! OH,SWEETIE!

438
00:23:25,500 --> 00:23:27,500
BUT,YOU KNOW,WITH IAN,

439
00:23:27,500 --> 00:23:30,100
EVERYTHING WAS ALWAYS EASY.

440
00:23:30,100 --> 00:23:31,400
YOU KNOW, THAT'S THE KIND OF GUY

441
00:23:31,400 --> 00:23:34,300
I COULD SEE MYSELF LIVING INTO MY 90s WITH.

442
00:23:34,400 --> 00:23:37,400
SO GO TO IAN! TELL HIM YOU MADE THE WRONG CHOICE,

443
00:23:37,400 --> 00:23:39,400
AND HE'S THE ONE YOU WANNA BE WITH.

444
00:23:39,400 --> 00:23:41,400
WHAT HAVE YOU GOT TO LOSE? (vehicle approaches)

445
00:23:41,500 --> 00:23:43,100
(man) EXCUSE ME,LADIES?

446
00:23:44,500 --> 00:23:47,500
LOOK,SUSAN, GOD CALLED YOU A CAB.

447
00:23:47,500 --> 00:23:50,600
I'M LOOKING FOR,UH,4347.

448
00:23:50,700 --> 00:23:52,100
IDA GREENBERG?

449
00:23:58,400 --> 00:24:00,200
I'M IDA GREENBERG!

450
00:24:00,200 --> 00:24:02,600
MM-HMM. YEAH,YOU ARE!

451
00:24:02,700 --> 00:24:04,900
(Gabrielle) SEE YOU LATER! (Lynette) GO,IDA!

452
00:24:04,900 --> 00:24:06,400
GO,IDA!

453
00:24:08,700 --> 00:24:11,900
(Lynette and Gabrielle) WHOO-HOO!

454
00:24:23,500 --> 00:24:26,200
SUSAN. YOU CAME.

455
00:24:26,300 --> 00:24:28,300
OF COURSE I CAME.

456
00:24:29,300 --> 00:24:30,300
OH!

457
00:24:30,400 --> 00:24:33,800
OH, I JUST LOVE YOUR HOUSE.
IT ALWAYS SMELLS LIKE YOU.

458
00:24:34,600 --> 00:24:35,900
OH, MY GOSH!

459
00:24:37,100 --> 00:24:39,400
WHAT--IS THE THING--
IS THAT TONIGHT?

460
00:24:39,400 --> 00:24:41,400
WELL, YES.
ISN'T THAT WHY YOU'RE HERE?

461
00:24:41,400 --> 00:24:43,200
NO! NO, NO!

462
00:24:43,200 --> 00:24:46,400
ACTUALLY, I JUST--I JUST
HAD SOMETHING TO TELL YOU.

463
00:24:47,200 --> 00:24:48,000
WELL, OF COURSE.

464
00:24:48,000 --> 00:24:50,900
AH, DOUG, SEE IF YOU
CAN FIND JUDITH FOR ME.

465
00:24:52,000 --> 00:24:53,400
THANK YOU.

466
00:24:53,500 --> 00:24:55,500
WELL, AS LONG AS YOU'RE HERE,
I WANT YOU TO MEET THAT EDITOR

467
00:24:55,500 --> 00:24:56,500
I WAS TELLING YOU ABOUT.

468
00:24:56,500 --> 00:24:58,300
OH, I DON'T THINK
THAT'S A GOOD IDEA,

469
00:24:58,300 --> 00:25:00,900
'CAUSE I-I DIDN'T REALLY
BRING MY "A" GAME. (laughs)

470
00:25:01,200 --> 00:25:04,400
IS IT HOT?
ARE YOU SLOSHED?

471
00:25:06,000 --> 00:25:07,200
(laughs)
SUSAN!

472
00:25:07,200 --> 00:25:10,900
OH, IS THIS THE SUSAN YOU'VE
BEEN TELLING US ALL ABOUT?

473
00:25:10,900 --> 00:25:12,900
YES, THIS IS SHE.

474
00:25:12,900 --> 00:25:16,400
COULD YOU, UM,
GIVE US A MOMENT?
OH, OF COURSE.

475
00:25:18,400 --> 00:25:21,900
UM... WHAT'S GOING ON?

476
00:25:21,900 --> 00:25:24,900
NOTHING. I JUST HAD A FEW DRINKS
WITH MY GIRLFRIENDS,

477
00:25:24,900 --> 00:25:27,400
AND THANK GOD,
BECAUSE IT GAVE ME THE COURAGE

478
00:25:27,400 --> 00:25:30,800
TO COME OVER HERE AND TELL YOU
WHAT'S REALLY IN MY HEART.

479
00:25:30,800 --> 00:25:32,200
(slurps)

480
00:25:32,200 --> 00:25:35,700
UM, GO ON.

481
00:25:35,800 --> 00:25:39,200
BUT FIRST, I THINK
I SHOULD USE THE POWDER ROOM.

482
00:25:39,200 --> 00:25:41,900
UH, OH--OH, OF COURSE.
IT'S, UM, IT'S OVER THERE.

483
00:25:48,200 --> 00:25:50,100
SHE SEEMS NICE, IAN.

484
00:25:50,100 --> 00:25:53,600
OH, YES, SHE'S, UM,
SHE'S ABSOLUTELY DELIGHTFUL.

485
00:25:53,800 --> 00:25:57,900
(Susan vomiting)

486
00:26:01,600 --> 00:26:05,200
OH, I'M SO SORRY
THAT YOU HAD TO SEE THAT.

487
00:26:05,300 --> 00:26:07,500
I SEE YOU'VE MET JUDITH.

488
00:26:08,600 --> 00:26:11,100
OH!

489
00:26:13,000 --> 00:26:15,200
(Harvey) SO WITH
A HUNDRED BUCKS RIDING ON IT,

490
00:26:15,200 --> 00:26:16,600
THE PRESSURE'S ON ME NOW.

491
00:26:16,600 --> 00:26:19,600
I REACH INTO MY BAG,
I GRAB MY 4-IRON

492
00:26:19,600 --> 00:26:22,500
AND BADA BING...
HOLE IN ONE.

493
00:26:22,500 --> 00:26:25,500
AND THERE'S BEEN
NO LIVING WITH HIM EVER SINCE.
(laughter)

494
00:26:25,600 --> 00:26:28,700
DID I NOT TELL YOU HOW HILARIOUS
THESE TWO ARE TOGETHER?

495
00:26:28,800 --> 00:26:31,400
OH, THEY ARE
A REGULAR BARREL OF--TISH!

496
00:26:32,000 --> 00:26:33,500
WHY, HELLO, BREE.

497
00:26:33,600 --> 00:26:34,600
CAROLYN.

498
00:26:34,600 --> 00:26:36,600
OH! DO YOU TWO
KNOW EACH OTHER?

499
00:26:37,400 --> 00:26:39,500
WELL, THAT SAVES ME
AN INTRODUCTION.

500
00:26:39,500 --> 00:26:41,500
UH, TISH, YOU KNOW,
I WAS WONDERING

501
00:26:41,500 --> 00:26:43,700
IF YOU NEED ANY HELP
WITH THE CHRISTMAS GALA.

502
00:26:43,700 --> 00:26:45,500
LAST YEAR, I WAS ON
THE DECORATIS COMMITTEE--

503
00:26:45,500 --> 00:26:49,300
OH, MY GOD, I FORGOT
TO CALL YOU. WHAT AN IDIOT!

504
00:26:49,300 --> 00:26:50,800
WE'LL TALK
FIRST THING TOMORROW.

505
00:26:50,800 --> 00:26:52,600
THAT WOULD BE LOVELY.
THANKS.

506
00:26:52,700 --> 00:26:55,100
NICE TO SEE YOU.
NICE TO BE SEEN.

507
00:26:57,200 --> 00:27:00,200
WELL, I NEED TO POWDER MY NOSE.
CARE TO JOIN ME?

508
00:27:00,200 --> 00:27:01,200
OH, I'D LOVE TO.

509
00:27:04,300 --> 00:27:05,900
I'M SO HAPPY WE DID THIS.

510
00:27:05,900 --> 00:27:08,100
YES, ME, TOO.
IT'S BEEN A DELIGHTFUL EVENING.

511
00:27:08,100 --> 00:27:09,400
SO, SO FUN.

512
00:27:10,500 --> 00:27:12,800
COULD YOU GET US
SOME EXTRA TISSUES?

513
00:27:12,800 --> 00:27:13,600
THANK YOU.

514
00:27:15,700 --> 00:27:18,500
YOU KNOW, I REALIZED SOMETHING
JUST THE OTHER DAY.

515
00:27:18,500 --> 00:27:21,100
YOU'VE NEVER SEEN
A PICTURE OF ALMA, HAVE YOU?

516
00:27:22,000 --> 00:27:24,300
NO. WHY?

517
00:27:34,200 --> 00:27:36,800
GRANTED,
IT'S NOT HER BEST LOOK.

518
00:27:40,400 --> 00:27:41,300
WHAT IS ALL THIS?

519
00:27:41,400 --> 00:27:45,800
THAT'S THE POLICE REPORT THAT
ALMA FILED AFTER ORSON HIT HER.

520
00:27:45,900 --> 00:27:47,700
IT'S ALL IN THERE--

521
00:27:47,700 --> 00:27:50,700
THE BRUISES, CONTUSIONS,
BROKEN WRIST.

522
00:27:50,700 --> 00:27:52,800
THIS IS NOT POSSIBLE.

523
00:27:54,100 --> 00:27:56,200
PHOTOS DON'T LIE, BREE.

524
00:27:56,300 --> 00:27:58,800
IS THIS WHY
YOU APOLOGIZED?

525
00:27:58,800 --> 00:28:01,900
YES. I WANTED YOU
TO SPEND TIME WITH ME

526
00:28:01,900 --> 00:28:05,500
SO YOU CAN SEE I'M NOT SOME
CRAZY NUT OUT TO GET YOU.

527
00:28:06,200 --> 00:28:08,200
I'M SORRY, BUT IF SOMETHING
LIKE THAT HAPPENED AGAIN,

528
00:28:08,200 --> 00:28:09,800
I COULD
NEVER FORGIVE MYSELF.

529
00:28:12,000 --> 00:28:12,900
THANK YOU.

530
00:28:15,300 --> 00:28:17,700
I HAD A FEELING
YOU MIGHT NEED THESE.

531
00:28:22,100 --> 00:28:23,100
BRING ME ANOTHER ONE.

532
00:28:24,100 --> 00:28:25,900
HEY, BUDDY...

533
00:28:25,900 --> 00:28:26,800
(groans)

534
00:28:26,800 --> 00:28:28,300
YOU WANNA SLOW DOWN
A LITTLE BIT, HUH?

535
00:28:30,400 --> 00:28:31,200
(groans)
HARVEY?

536
00:28:31,300 --> 00:28:33,600
LOOK, I'M GOING
THROUGH SOMETHING,

537
00:28:33,600 --> 00:28:36,600
AND I DON'T HAVE ANYONE ELSE
TO TALK TO ABOUT IT.

538
00:28:38,400 --> 00:28:40,000
I HAD AN AFFAIR.

539
00:28:42,100 --> 00:28:43,300
UH, DOES CAROLYN KNOW?

540
00:28:43,300 --> 00:28:45,400
NO, SHE HAS NO IDEA.

541
00:28:45,400 --> 00:28:47,400
I MET THIS GIRL
ON A FLIGHT FROM PARIS,

542
00:28:47,400 --> 00:28:50,600
AND--AND WE JUST...
MMM, CONNECTED.

543
00:28:50,600 --> 00:28:53,800
NO, I KNOW IT SOUNDS CRAZY,
BUT IT WAS...

544
00:28:53,800 --> 00:28:55,400
LOVE AT FIRST SIGHT.

545
00:28:55,400 --> 00:28:57,400
WELL,
ARE YOU STILL SEEING HER?

546
00:28:57,400 --> 00:28:58,900
NO, THAT'S THE THING.

547
00:28:58,900 --> 00:29:01,800
A FEW MONTHS AGO,
SHE STOPPED RETURNING MY CALLS,

548
00:29:01,800 --> 00:29:03,800
AND THEN I WENT BY HER PLACE

549
00:29:03,800 --> 00:29:04,800
AND I'VE LOOKED FOR HER
EVERYWHERE,

550
00:29:04,800 --> 00:29:07,800
AND SHE'S JUST DISAPPEARED.

551
00:29:08,500 --> 00:29:11,500
NO, I--I'LL TELL YA, NOW I KNOW
WHAT YOU WENT THROUGH WITH ALMA.

552
00:29:11,500 --> 00:29:12,700
IT'S BRUTAL.

553
00:29:12,700 --> 00:29:16,000
IT GETS BETTER. TRUST ME.

554
00:29:16,100 --> 00:29:18,500
I-I JUST CAN'T GET PAST IT.
I-I'M...

555
00:29:18,600 --> 00:29:21,500
I CAN'T GET MONIQUE
OUT OF MY MIND.
MONIQUE?

556
00:29:21,500 --> 00:29:22,500
THAT'S HER NAME.

557
00:29:24,300 --> 00:29:28,000
MONIQUE... POLIER.

558
00:29:29,600 --> 00:29:31,900
ISN'T SHE BEAUTIFUL?

559
00:29:36,100 --> 00:29:38,100
SHE'S... VERY PRETTY.

560
00:29:41,900 --> 00:29:44,300
THEY'RE BACK.

561
00:29:44,300 --> 00:29:46,300
WOW.

562
00:29:46,300 --> 00:29:48,700
YOU TWO GIRLS WERE GONE
A LONG TIM EVERYTHING OKAY?

563
00:29:48,700 --> 00:29:51,100
MM-HMM, ABSOLUTELY.

564
00:29:51,200 --> 00:29:53,500
SO...

565
00:29:53,600 --> 00:29:55,200
WHO WANTS DESSERT?

566
00:30:06,300 --> 00:30:08,200
-HEY.
-HEY.

567
00:30:11,400 --> 00:30:13,100
???

568
00:30:13,100 --> 00:30:15,400
OH...

569
00:30:15,500 --> 00:30:17,500
JUST A QUIET NIGHT
WITH THE GIRLS.

570
00:30:17,500 --> 00:30:20,300
(bottles clink)

571
00:30:20,300 --> 00:30:21,800
LISTEN,
SOMETHING HAPPENED TONIGHT,

572
00:30:21,800 --> 00:30:23,300
AND IT GOT ME THINKING,
AND...

573
00:30:26,700 --> 00:30:29,500
YOU MEAN MORE TO ME THAN
ANY RESTAURANT EVER COULD.

574
00:30:29,500 --> 00:30:30,700
OH, STOP RIGHT THERE.

575
00:30:30,700 --> 00:30:33,000
I AM THE ONE
WHO SHOULD APOLOGIZE.

576
00:30:33,100 --> 00:30:35,800
I HAVE BEEN A BAD WIFE.

577
00:30:35,800 --> 00:30:37,000
NO, NO, NO, NO, NO!

578
00:30:37,100 --> 00:30:38,900
YOU WERE JUST TRYING TO KEEP ME
FROM DOING SOMETHING RECKLESS.

579
00:30:38,900 --> 00:30:42,000
YEAH, WELL, ANY WIFE CAN SUPPORT
A HUSBAND WHO NEVER TAKES RISKS,

580
00:30:42,000 --> 00:30:43,400
AND I DON'T WANT
THAT KIND OF HUSBAND,

581
00:30:43,400 --> 00:30:45,900
AND I'LL BE DAMNED IF
I'M GONNA BE THAT KIND OF WIFE.

582
00:30:45,900 --> 00:30:49,400
SO YOU OPEN
YOUR PIZZA PLACE,

583
00:30:49,400 --> 00:30:52,700
AND WE WILL FIND A WAY
TO MAKE IT WORK.

584
00:30:53,400 --> 00:30:55,700
YOU DON'T KNOW HOW MUCH
IT MEANS TO ME TO HEAR THAT.

585
00:30:58,300 --> 00:31:00,400
GOD, I LOVE U. OOH!
MMM.

586
00:31:03,800 --> 00:31:06,400
SO WHAT HAPPENED TONIGHT?

587
00:31:06,400 --> 00:31:09,900
OKAY, BUT DON'T REACT UNTIL
I'VE TOLD YOU THE WHOLE STORY.

588
00:31:09,900 --> 00:31:11,600
AND REMEMBER,
IT'S ACTUALLY A GOOD THING,

589
00:31:11,600 --> 00:31:14,100
BECAUSE IT BROUGHT US
BACK TOGETHER.

590
00:31:20,500 --> 00:31:21,900
DING-DONG.

591
00:31:21,900 --> 00:31:26,000
I DON'T KNOW WHAT TOM TOLD YOU,
BUT HE CAME ON TO ME.

592
00:31:26,000 --> 00:31:29,100
I'M SORRY.
I DIDN'T QUITE CATCH THAT.

593
00:31:29,100 --> 00:31:32,800
WHY DON'T YOU JUST COME ON OVER
HERE AND SAY THAT TO ME AGAIN?

594
00:31:32,800 --> 00:31:35,800
STAY AWAY FROM ME.
I HAVE BEEN TRYING
TO STAY AWAY FROM YOU--

595
00:31:35,800 --> 00:31:37,500
MOM?

596
00:31:43,400 --> 00:31:44,800
EVERYTHING'S ALL RIGHT,

597
00:31:44,900 --> 00:31:47,900
SO YOU CAN JUST GO BACK
INTO YOUR ROOM AND PLAY.

598
00:31:47,900 --> 00:31:49,900
(Nora) KAYLA!

599
00:31:49,900 --> 00:31:51,900
DON'T MOVE.

600
00:32:00,000 --> 00:32:02,600
OKAY. NEVER MIND.

601
00:32:03,800 --> 00:32:05,400
(sighs)
I'M LEAVING.

602
00:32:08,900 --> 00:32:11,300
FIRST, I'M JUST GONNA
GIVEOUR MOM A HUG.

603
00:32:12,100 --> 00:32:14,900
YOUR ASSOCIATION
WITH MY FAMILY IS OVER.

604
00:32:14,900 --> 00:32:16,100
WHEN KAYLA COMES TO VISIT,

605
00:32:16,100 --> 00:32:18,000
YOU WILL DROP HER
AT THE END OF THE BLOCK.

606
00:32:18,000 --> 00:32:20,000
YOU WILL NEVER AGAIN
SEE MY HUSBAND,

607
00:32:20,000 --> 00:32:23,500
AND IF YOU TRY TO,
I WILL DO TO YOUR SPINE

608
00:32:23,500 --> 00:32:27,100
WHAT I JUST DID
TO YOUR FRONT DOOR.

609
00:32:27,100 --> 00:32:29,600
NOD IF YOU UNDERSTAND.

610
00:32:30,600 --> 00:32:31,900
(pats back)

611
00:32:38,100 --> 00:32:41,000
AND YOU, I'M GONNA
SEE YOU ON SATURDAY, RIGHT?

612
00:32:41,900 --> 00:32:43,800
DON'T FORGET YOUR SWIMSUIT.

613
00:32:52,600 --> 00:32:54,200
GOOD MORNING!

614
00:32:54,200 --> 00:32:56,700
YOU'RE LOOKING
BRIGHT-EYED AND...

615
00:32:56,700 --> 00:32:58,000
BUSHY.

616
00:32:58,000 --> 00:32:59,900
OH. (chucks)

617
00:33:00,000 --> 00:33:01,900
DID YOU STAY HERE
ALL NIGHT?

618
00:33:02,000 --> 00:33:03,100
WELL, I SLEPT ON THE SOFA.

619
00:33:03,100 --> 00:33:04,700
WHEN I BROUGHT YOU HOME,
YOU WERE STILL--

620
00:33:04,700 --> 00:33:08,100
AS YOU AMERICANS SAY--
TOSSING YOUR TACOS.

621
00:33:08,100 --> 00:33:10,000
(groans) PLEASE,

622
00:33:10,000 --> 00:33:12,600
KEEP THE FOOD REFERENCES
TO A MINIMUM.

623
00:33:13,600 --> 00:33:14,700
BLESS YOU.

624
00:33:16,700 --> 00:33:18,800
MMM.

625
00:33:21,500 --> 00:33:23,100
SO WHAT ELSE HAPPENED?

626
00:33:23,200 --> 00:33:24,800
YOU DON'T REMEMBER?

627
00:33:25,400 --> 00:33:28,300
WELL, I'LL TELL YOU WHAT--I'LL
REPEAT WHAT YOU SAID LAST NIGHT,

628
00:33:28,300 --> 00:33:30,800
AND YOU SAY WHETHER IT WAS
YOU OR THE BOOZE TALKING.

629
00:33:30,800 --> 00:33:33,100
ARE YOU READY?
MM.

630
00:33:33,100 --> 00:33:35,900
YOU SAID YOU MISSED ME.
SUSAN OR BOOZE?

631
00:33:36,700 --> 00:33:38,000
SUSAN.

632
00:33:38,000 --> 00:33:40,300
YOU SAID IT WAS A MISTAKE
BREAKING UP WITH ME

633
00:33:40,300 --> 00:33:42,200
AND THAT YOU WANTED
TO START AGAIN.

634
00:33:42,300 --> 00:33:44,600
SUSAN OR BOOZE?

635
00:33:45,300 --> 00:33:46,800
SUSAN.

636
00:33:46,800 --> 00:33:51,200
THEN YOU SAID THAT YOU WANTED
TO DRESS ME UP LIKE A SCHOOLBOY

637
00:33:51,200 --> 00:33:54,100
AND SPANK
MY NAUGHTY BOTTOM.

638
00:33:54,200 --> 00:33:56,100
SUSAN OR BOOZE?

639
00:33:58,900 --> 00:34:01,500
OH, I DIDN'T SAY THAT.

640
00:34:02,500 --> 00:34:05,500
(laughs) YEAH, ALL RIGHT THEN,
BUT IF YOU HAD, UM...

641
00:34:05,600 --> 00:34:08,300
SUSAN OR BOOZE?

642
00:34:11,000 --> 00:34:14,200
A LITTLE OF BOTH,
SO... "BOOZAN."

643
00:34:14,200 --> 00:34:16,100
(both laugh)

644
00:34:34,800 --> 00:34:36,500
(telephone rings)

645
00:34:36,600 --> 00:34:37,900
DETECTIVE RIDLEY.

646
00:34:38,000 --> 00:34:39,900
(man)
Your Jane Doe in the morgue

647
00:34:40,000 --> 00:34:42,900
is named Monique Polier.

648
00:34:42,900 --> 00:34:43,900
WHO'S THIS?

649
00:34:43,900 --> 00:34:45,400
Just before she died,

650
00:34:45,400 --> 00:34:48,400
she was having an affair with
a man named Harvey Bigsby.

651
00:34:48,400 --> 00:34:51,200
You got that?
YEAH.
UH, CAN I GET YOUR NAME?

652
00:34:51,200 --> 00:34:53,000
I'LL NEED TO BRING YOU IN
FOR A STATEMENT.

653
00:35:07,200 --> 00:35:09,100
(Gabrielle) CARLOS,
COULD YOU COME HELP ME?

654
00:35:09,100 --> 00:35:10,700
I'M WATCHING THE GAME.

655
00:35:11,300 --> 00:35:13,800
IT'LL JUST TAKE A SECOND.
 PLEASE?

656
00:35:13,800 --> 00:35:15,900
 (announcer) ..O THE 34th
 YARD LINE FOR A GAIN OF 6...

657
00:35:16,000 --> 00:35:19,700
(sighs and groans)

658
00:35:19,800 --> 00:35:22,300
WHAT, GABY?

659
00:35:24,400 --> 00:35:26,900
YOU LOOK... NICE.

660
00:35:27,000 --> 00:35:28,400
OH, THANKS. (chuckles)

661
00:35:28,500 --> 00:35:30,000
I'M GONNA GO MEET
SOME NEW FRIENDS FOR DINNER.

662
00:35:30,000 --> 00:35:32,000
BUT MY ZIPPER'S STUCK.
CAN YOU HELP ME?

663
00:35:36,200 --> 00:35:39,400
(chuckles)

664
00:35:39,400 --> 00:35:41,900
(grunts)
MAN, THIS IS REALLY STUCK.

665
00:35:41,900 --> 00:35:44,000
IT'S LIKE SOMEBODY PUT
SUPERGLUE ON IT OR SOMETHING.

666
00:35:44,900 --> 00:35:47,200
HUH. WEIRD.

667
00:35:47,200 --> 00:35:48,300
WELL, YOU KNOW WHAT?

668
00:35:48,300 --> 00:35:49,100
I DON'T WANNA BE LATE,

669
00:35:49,100 --> 00:35:52,000
SO I SHOULD, UM,
PROBABLY CHANGE.

670
00:35:52,300 --> 00:35:54,500
WOW.

671
00:35:54,500 --> 00:35:59,200
OH, CARLOS, THIS OLD THING?
YOU'VE SEEN IT ALL BEFORE.

672
00:35:59,300 --> 00:36:02,300
I'M JUST GONNA WEAR
THE LITTLE BLUE NUMBER.

673
00:36:02,300 --> 00:36:03,800
WILL YOU HAND ME
THOSE STOCKINGS?

674
00:36:06,200 --> 00:36:08,900
OH,
I'VE GOT A RAGGEDY NAIL.

675
00:36:08,900 --> 00:36:11,300
(sighs)

676
00:36:11,300 --> 00:36:13,500
YOU'RE GONNA
HAVE TO HELP ME PUT THOSE ON.

677
00:36:16,300 --> 00:36:18,100
ARE YOU SURE ABOUT THAT?

678
00:36:18,800 --> 00:36:21,200
WELL, I'D DO IT MYSELF,
BUT I DON'T WANNA GET A SNAG.

679
00:36:31,300 --> 00:36:33,600
IT'S BEEN A LONG TIME.

680
00:36:33,700 --> 00:36:36,700
REALLY?
IT SEEMS LIKE YESTERDAY TO ME.

681
00:36:42,800 --> 00:36:44,400
YOU WANT ME
TO HELP YOU HOOK THAT?

682
00:36:45,500 --> 00:36:49,500
SURE. WHY NOT?
FOR OLD TIME'S SAKE.

683
00:37:03,800 --> 00:37:05,400
WHAT ABOUT
YOUR NEW FRIENDS?

684
00:37:07,100 --> 00:37:09,700
I'VE DECIDED I'D RATHER
CATCH UP WITH AN OLD ONE.

685
00:37:34,300 --> 00:37:37,700
MR. BIGSBY,
DETECTIVE RIDLEY, HOMICIDE.

686
00:37:37,700 --> 00:37:39,200
I UNDERSTAND YOU KNOW HER.

687
00:37:51,100 --> 00:37:54,000
UH, ALL RIGHT, YES,
WE WERE SLEEPING TOGETHER.

688
00:37:57,300 --> 00:37:59,200
CAN WE DO THIS
SOMEWHERE ELSE?

689
00:37:59,200 --> 00:38:00,300
SURE.

690
00:38:04,900 --> 00:38:07,500
(Carlos sighs)

691
00:38:08,400 --> 00:38:10,800
CARLOS, DO YOU THINK
WE'RE MAKING A MISTAKE?

692
00:38:11,800 --> 00:38:12,800
WHAT DO YOU MEAN?

693
00:38:13,200 --> 00:38:14,600
THE WHOLE DIVORCE THING.

694
00:38:15,300 --> 00:38:17,300
MAYBE WE SHOULDN'T
GO THROUGH WITH IT.

695
00:38:17,400 --> 00:38:19,100
IT'S NOT LIKE
WE'RE GONNA FIND

696
00:38:19,100 --> 00:38:21,400
THIS KIND OF PASSION
WITH ANYONE ELSE.

697
00:38:23,600 --> 00:38:25,600
ARE YOU SAYING
YOU WANNA STAY TOGETHER?

698
00:38:26,400 --> 00:38:27,400
YEAH.

699
00:38:28,400 --> 00:38:29,800
YEAH, I GUESS I AM.

700
00:38:30,100 --> 00:38:31,100
WHY DON'T WE JUST

701
00:38:31,100 --> 00:38:33,200
PUT ALL OF THIS BEHIND US
AND STAY TOGETHER?

702
00:38:33,200 --> 00:38:35,300
WHAT DO YOU SAY?
OH, BABY... (sighs)

703
00:38:36,200 --> 00:38:39,000
IF YOU KNEW HOW LONG I WAITED
TO HEAR YOU SAY THAT...

704
00:38:42,800 --> 00:38:45,400
(laughing)

705
00:38:45,400 --> 00:38:47,200
WELL, WHAT?
WHAT'S SO FUNNY?

706
00:38:47,200 --> 00:38:48,600
OH, MAN.

707
00:38:49,200 --> 00:38:50,700
I THOUGHT I'D BE ABLE
TO GET THROUGH THIS

708
00:38:50,700 --> 00:38:52,700
WITHOUT CRACKING UP,
BUT YOU ARE JUST TOO FUNNY.

709
00:38:55,900 --> 00:38:57,700
(sighs)

710
00:38:57,700 --> 00:38:59,800
THERE'S A LITTLE SOMETHING
THAT I NEED TO OWN UP TO.

711
00:39:01,300 --> 00:39:04,000
I KNOW THAT THE ONLY REASON
YOU SLEPT WITH ME

712
00:39:04,000 --> 00:39:05,800
WAS BECAUSE
I GOT A W JOB.

713
00:39:06,500 --> 00:39:10,100
YOU GOT A NEW JOB?
HONEY, THAT'S WONDERFUL!

714
00:39:10,100 --> 00:39:11,600
GABY, PLEASE.

715
00:39:11,600 --> 00:39:14,700
YOU WERE A MODEL,
NOT A MODEL/ACTRESS.

716
00:39:15,500 --> 00:39:17,100
THERE IS NO JOB.

717
00:39:17,100 --> 00:39:18,600
THE CONTRACTS IN MY DESK
WERE FAKE.

718
00:39:18,600 --> 00:39:19,900
I MAILED THEM TO MYSELF.

719
00:39:21,000 --> 00:39:25,100
WHAT?!
WHY WOULD YOU DO THAT?

720
00:39:25,500 --> 00:39:27,900
WELL, LET'S SEE...

721
00:39:29,600 --> 00:39:30,700
(gasps)

722
00:39:30,700 --> 00:39:34,100
YOU DID THIS
JUST TO GET ME IN BED?!
(laughs)

723
00:39:34,500 --> 00:39:36,200
NO, I DID IT BECAUSE

724
00:39:36,200 --> 00:39:38,800
I KNEW YOU'D SMELL MONEY
AND COME CRAWLING BACK.

725
00:39:39,500 --> 00:39:42,200
THEN I COULD TURN YOU DOWN
AND WALK OUT ON MY OWN TERMS.

726
00:39:42,300 --> 00:39:43,600
 YOUR TERMS?!

727
00:39:43,600 --> 00:39:46,500
YOU DON'T GET TO SCREW AROUND
ON ME, TAKE MY MONEY

728
00:39:46,500 --> 00:39:48,700
AND THEN WALK AWAY
WITHOUT A SCRATCH.

729
00:39:48,800 --> 00:39:50,600
I WANT YOU HURTIN', BABY,

730
00:39:50,600 --> 00:39:52,500
AND JUDGING BY
THE LOOK ON YOUR FACE

731
00:39:52,500 --> 00:39:55,200
WHEN YOU SAW 2 MILLION
IMAGINARY DOLLARS DISAPPEAR,

732
00:39:56,000 --> 00:39:57,100
I SUCCEEDED.

733
00:39:58,200 --> 00:39:59,900
YOU ARE A BASTARD!

734
00:40:00,700 --> 00:40:02,200
BETTER A BASTARD
THAN A WHORE.

735
00:40:07,000 --> 00:40:08,100
(gasps) OH, GOD!

736
00:40:09,100 --> 00:40:10,400
(dog barking in distance)

737
00:40:10,400 --> 00:40:11,200
OH!

738
00:40:14,200 --> 00:40:15,100
HELLO?

739
00:40:15,200 --> 00:40:17,500
UH, THERE'S BEEN AN ACCIDENT.
MY HUSBAND--HE...

740
00:40:19,900 --> 00:40:23,000
(dog continues barking
in distance)

741
00:40:23,000 --> 00:40:25,700
I'M GONNA
HAVE TO CALL YOU BACK.

742
00:40:25,800 --> 00:40:28,400
(front door slams)

743
00:40:29,000 --> 00:40:30,200
CARLOS?

744
00:40:32,100 --> 00:40:33,100
HONEY?

745
00:40:35,800 --> 00:40:36,800
CARLOS?

746
00:40:42,000 --> 00:40:43,300
OH, YEAH.

747
00:40:45,200 --> 00:40:46,500
IT'S ON.

748
00:40:49,000 --> 00:40:50,700
(glass hits floor)

749
00:40:53,700 --> 00:40:56,000
 THERE IS A PLACE
 IN ST. TIMOTHY'S CHURCH

750
00:40:56,000 --> 00:40:59,700
 WHERE SINNERS GO
 TO CONFESS THEIR SINS.

751
00:40:59,800 --> 00:41:03,500
 AND ONCE THEY'RE DONE,
 THEY EXPECT ABSOLUTION.

752
00:41:04,000 --> 00:41:05,300
 BUT THE TRUTH IS,

753
00:41:05,300 --> 00:41:09,200
 NOT ALL CONFESSIONS
 ARE WORTHY OF SUCH FORGIVENESS.

754
00:41:09,900 --> 00:41:12,200
 MOST WHO UNVEIL HIDDEN AGENDAS

755
00:41:12,200 --> 00:41:15,100
 DESERVE THE CONDEMNATION
 THEY RECEIVE.

756
00:41:16,600 --> 00:41:19,200
 MOST WHO DISCLOSE
 VENGEFUL MOTIVES

757
00:41:19,200 --> 00:41:22,300
 MERIT THE PUNISHMENT
 THAT FOLLOWS.

758
00:41:22,900 --> 00:41:26,400
 ONLY THE TRULY REPENTANT
 HAVE ANY RIGHT AT ALL

759
00:41:26,400 --> 00:41:29,400
 TO EXPECT A SECOND CHANCE...

760
00:41:31,100 --> 00:41:33,500
COME ON.
WHAT'S MY SURPRISE?

761
00:41:46,900 --> 00:41:48,900
???

762
00:41:51,400 --> 00:41:54,000
????

763
00:41:54,000 --> 00:41:56,000
???

764
00:41:56,000 --> 00:41:57,100
??

765
00:41:58,300 --> 00:41:59,300
?

766
00:42:01,900 --> 00:42:05,200
??

767
00:42:05,200 --> 00:42:08,800
???

768
00:42:08,800 --> 00:42:10,400
????

769
00:42:10,900 --> 00:42:12,600
???

770
00:42:13,000 --> 00:42:15,000
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